Following the expulsion of Yugoslavia in 1948 from the Cominform (Communist Information Bureau), the organization of Communist parties, and the growing tensions with the Soviet Bloc, Bosnia became central to Tito’s self-defence strategy. “All People’s Defence” concept devised by Tito, integrated all citizens in the defence of the federation. Military service, labour service, civil defence and material contribution were compulsory. Military facilities and defence structures were built on a grand-scale through out the Republics, also because of massive financial assistance from the United States.
Among the engineering defence related projects we can find in the city of Konjic, around 40 kilometres south of Sarajevo, the underground arms factory Igman (with five galleries enclosing 20,000 square meters) and the underground atomic war command and control center, the bunker OBJECT ARK. The bunker was codified as D-0, the most rigorous state secret. Located in the middle of the Zlatar Mountain, at a depth of circa 300 meters, on a 6,500 square meters area, the 26 years long project was completed in 1979, one year before Tito died.
The anti-atomic construction was aimed to function, in case of a nuclear attack, as a Military Operation center and a shelter for President Tito, his wife and representatives of the political and military ruling class, 350 people in total. They could live and work there for six months without ever coming outside. The ARK was kept secret for 30 years, its existence was only known, other then Tito, to very few generals and soldiers who guarded the building after its completion, until Bosnia separated from Yugoslavia in 1992.
ARK D-0 exists today only because of the Bosnian military guard, who refused to carry out an order from Serbian high command in Belgrade, who wanted to blow up the bunker in 1992. Since then the building is still much in the same condition as it was during the Yugoslav era with all of its furnishings, equipment signs, symbols and instrument intact. The whole facility and its elaborate heating and ventilation systems have remained fully functioning, even during the 1992-95 war.
The propaganda billboard depicted in the picture used for the installation Silence is violence was to be found around the Hanford Atomic Plant site in Washington, USA, established in 1943 as part of the “The Manhattan Project”, the top secret Atomic Bomb WWII operation conducted by the United States. The project got expanded through out the Cold War period. Workers and inhabitants living nearby were threatened and obliged to keep secrecy about the construction. The same logic indeed was imposed in Bosnia and in this specific context in Konjic, regarding the D-0 ARK Underground bunker and the Igman ammunition factory next to it.
The collective memory of the people who lived and worked in Konjic at that time tells that the bunker workers had to sign secrecy contracts, meaning they would not say anybody for what, who and where they were working; workers were blindfolded when transported to the building site, only being allowed to remove the band once inside; they didn’t quite know the scope of their hard work; as the galleries of the bunker and the factory were side by side many workers believed that they were working on the factory site, although being in the bunker one; workers teams were changing often; to meet the needs of these constructions, workers were relocated to Bosnia from other republics; it also took a lot of lives, not a single shift passed without a fatality.
These are the little information I could put together about the workers and their work conditions, nothing such as a deep analytical report or written documents can be found. With the break–up of Yugoslavia the JNA (Yugoslav People’s Army) transported back to Serbia all the documents related to the site. All top secrets documents cannot be public until 50 years has passed. In the case of the bunker as it was in function from 1979, we would need to wait until 2029 to have access to those archives.
When a war came to Yugoslavia it wasn’t the war for which the bunker was built. The weapons and ammunitions that were also produced in Konjic and distributed to the population trough the years all over Yugoslavia to defeat the external enemy were later used to kill the own neighbours.
The Igman factory is a structure of several tunnels built in 1950 inside a mountain, just like the bunker on the side. As mentioned in the factory web site, in its early days Igman produced ammunition exclusively for the Yugoslav National Army, but already in 1952, part of its production was exported abroad. Since then the company continuously increased its defence oriented product exports becoming one of the biggest producers of small arms ammunitions worldwide.
Due to the war the factory was not present in the international market for four years, but it never stopped its production. During the war people from different groups armed themselves by stealing weapons and ammunitions from the factory.
The factory commodities did not just serve the internal war but their effect was spread worldwide through different kinds of businesses, regulated or not. Just few years ago, Igman ammunitions were found in the scene of the Charlie Hebdo massacre in Paris.
In the article “How did the Paris terrorists get hold of their weapons?” by Harriet Alexander of the English newspaper The Telegraph, it is said that Bosnia and Herzegovina’s assistant defence minister, Zivko Marjanac, confirmed that one of the shell cases carry the marking “IK”, which denotes the factory Igman from Konjic, adding that the ammunitions were produced in 1986. Marjanac says that such ammunitions can be found in the BiH Armed Forces warehouses, as well as in nearly every other BiH household. He recalls that the factory was part of the Yugoslav People’s Army (JNA) and that it supplied ammunition to barracks from Slovenia to Macedonia, as well as that it exports to the United States and all countries in Europe. “We don’t know where it arrived from, but it was indeed made in Bosnia”, Marjanac said. “We’ve had a war here and even today every second house still has 20 projectiles – how can we know that somebody has not sold them privately?”.
The five-pointed star that was positioned in the center of the Yugoslavian flag symbolized, among other things, the five fingers of the worker’s hand. The anamorphic installation This-harm I created site specifically for the TITO’S BUNKER exhibition in Konjic it is composed by an explosion of original IK factory bullets pointing one against the other and shaping the form of a star, visible just from a specific perspective.
As mentioned in an article written in 2015 by Elvira M. Jukic, Bosnia and Herzegovina’s Ministry of Defence – which was officially in charge of the bunker – decided in February 2015 that the bunker was neither needed nor suitable for future military use. With monthly maintenance estimated at around 5,000 euros, ARK D-0 appeared to be too expensive for any of Bosnia’s impoverished institutions or companies to manage, so each of them rejected taking any responsibility for it. In a written statement, the Federation government said that it has officially handed over the bunker to the ammunition-producing company Igman which as we know by now has a factory located next to the bunker itself. Dzahid Muradbegovic, director of Igman Konjic, recently told the media that the firm did not have the money to maintain ARK D-0 and that they have only asked the Federation government for permission to use some of the facilities near the bunker complex for their production and storage. When asked for a comment, Federation government simply reiterated that the bunker had already been handed over to Igman Konjic for a period of five years. More updated and open public information are difficult to find at the moment.
Today the bunker is a hybrid space. It is still a military area, a tourist attraction that appears in the local tourist’s office brochure as well as a space for a contemporary permanent art exhibition. It’s future is unwritten, but as the actual international political relations are quite shacking in these days, not humans but art works can paradoxically live quite safely and protected down there!
Annalisa Cannito (2017)
Exhibitions:
2017 “Titos Bunker” Württembergischer Kunstverein, Stuttgart (Germany) // May 7- August 6, 2017
2017 “Titos Bunker”, 4th Project Biennial at the D-0 ARK Underground, Konjic (BH) // April 21 – October 21, 2017 (permanent installations)
Press:
Manuela Pacella on CheFare
Sabine Weiner on Camera Austria 139
Mirsada Ćosić on Slobodna Evropa
Mirela Sekulić on Oslobodjenje
Quote:
TAU (franciscaans leven vandaag) in the poem “Kogels en wapens”